2018 BOM

Supplies and Runway – February


Welcome to the 2018 Seattle Modern Quilt Guild Block of the Month! This year, we are going to do a quilt-as-you-go quilt. Each month, we will piece and quilt one or two blocks. In December, I’ll show you how to trim all of the blocks down to the same size, and attach them all together.

The theme for our quilt is Airplane Science and Manufacturing. I’m an aerospace engineer, so I am combining two of my favorite things to bring you this quilt. As a nerdy bonus, each month I’ll teach you a little bit about an airplane related science, or share some fun airplane manufacturing techniques. There’s nothing I love more than a captive audience to teach science-y things to 🙂

The final quilt size is a bit on the smaller size, 45” x 60”. We will be making 12 different quilt blocks, each with a final size of 15” square. Please note that each month, the block we piece and quilt will be larger than 15”. This is to make sure that we have enough excess material after quilting so that we can cut each block down to size. We won’t be cutting the blocks until the end, so don’t worry about cutting them now. Also don’t worry about trying to square up your quilt block, or cutting any extra bits off. Just quilt it onto your batting and you can cut it off later. You don’t need to be exact on the size of the backing and batting fabrics, as long as they can cover the entire front of the block. This is a great quilt to use up those leftover bits of batting you have lying around!

I’ve put together a material list for you to get started. The quilt top will have a background color, and accent colors. This quilt would be a great way to use up some of those fat quarter bundles you bought 3 years ago with good intentions but haven’t gotten around to using yet. You can also use bits of scraps, random fat quarters, or use this as an excuse to buy some new fabric you’ve been eyeing (that’s what I did!)

You will need the backing fabric from the start, since we are quilting a block every month. I cut 12 fat quarters down to size, and then was able to use the cut off part as additional accent fabric. You could also get some yardage of fabric, and cut it into squares.

I am using a fat quarter bundle of Alison Glass Chroma for this quilt, as well as a solid gray for my background fabric. We won’t be using either binding fabric until November, so you can wait to purchase it. I’m going to show you how to join each block together using sashing/binding strips, but if there is another method you want to try out, I would encourage you to give it a shot!

Supply List:


  • (12) fat quarters – trim to 16”x16” ish if you want to preserve fabric –OR–
  • 2 3/4 yards of fabric, cut into (12) 16”x16” blocks


  • (12) 16”x16”ish bits of batting
    • use leftover bits you might have around –OR–
    • get a bag of full size batting –OR–
    • 1.5 yards of 90” wide batting


  • miscellaneous accent fabric scraps
  • 2.5-ish yards of background fabric

Assembly Binding

  • 1/2 yard of fabric

Quilt Binding

  • 1/2 yard of fabric

Additional supplies – not necessary, but could be helpful!

  • >15” square quilting ruler (definitely not necessary, but would be helpful)
  • Fabric marking pens (Frixion or disappearing ink pen)
  • Elmer’s Glue with fine tip
  • Freezer paper
  • Spray starch
  • Wonder-Under or other fusible web for applique (16” square)


Runway Block


Since we have 12 blocks to make in 11 months, we have to get started now! But this is a real easy one. This block is based on what a pilot sees as they are approaching the runway right before landing. If you haven’t done a lot of quilting, it is a great block to do some simple straight line quilting, or you can jump right into free motion quilting.


16” x 16” (ish) piece of batting

16” x 16” (ish) backing fabric

(2) 7” x 16” pieces of background fabric

(1) 10.5” x 16” piece of accent fabric


Our pieces of fabric have to be cut on the diagonal to create the perspective a pilot sees as they approach the runway.

Make two marks on the top of the accent fabric 3” away from each edge. Line up your ruler at the bottom left corner and the left 3” mark on top, and cut. Do the same on the right side.


Make a mark on the bottom of one of the background pieces, 3” away from left edge. Line up your ruler from the top left corner and the 3” mark on the bottom and cut.


Make a mark on the bottom of the second background piece, 3” away from the right edge. Line up your ruler from the top right corner and the 3” mark on the bottom and cut.


Sew all 3 pieces together using a ¼” seam allowance. Use the photo for help on the layout of the pieces. Since we are making our blocks large and trimming them down after quilting, it’s okay if the pieces don’t line up exactly in the corners.


Sandwich your backing piece, batting, and top, and baste. Quilt however you like. I choose to do echo the perspective of this block using straight-line quilting.

That’s it! I can’t wait to see what you come up with for quilting and fabric choices. You can use the hashtags #SeaMQGBOM2018 and #ASaMQuilt to show off your work to everyone else. Please let me know if you have any questions! You can send me an email at seattlemodernquiltguild @ gmail . com or message me on instagram @itskimsinsta.

Supersonic – March

We’re going Supersonic yo!


These days, commercial airplanes don’t travel faster than the speed of sound (767 mph in dry 68°F air). In the 70’s, the British Aircraft Corporation manufactured the Concorde, which is one of only two commercial aircraft to fly at supersonic speeds. However, there are many military airplanes that regularly reach supersonic speeds.

Shock waves are formed when an airplane forces its way through the air when traveling faster than the speed of sound. You can’t see this happening, but sometimes you can hear it as a sonic boom.

This website has a short video on how shock waves are formed! http://howthingsfly.si.edu/aerodynamics/shock-waves

Now that we know all about supersonic speeds and shock waves, let’s make a quilt block inspired by them! We are going to piece this block as we quilt it, and then attach it to the backing once the front has been quilted. Jera Brandvig has a great tutorial on this type of quilt as you go, and I could only dream of creating a tutorial as great as hers. This would make some great supplemental reading to this guide. http://quiltingintherain.com/2014/02/quilt-as-you-go-log-cabin-tutorial.html

I made this block as a rainbow, because I love rainbows, but I would encourage you to arrange your fabric however you want! Ideally, you’ll want to at least alternate the strips so you it looks like shock waves. You could get away with 2 different accent fabric pieces and alternate them, or do 6 totally different colors. The block will start and end with your background fabric.


  • 16” x 16” (ish) piece of batting
  • 16” x 16” (ish) backing fabric
  • 5” x 20” piece of background fabric
  • (6) 2.5” strips of different colored fabric


From your background fabric, cut the following:

  • 5” x 5” square

Leave the rest of your background fabric intact. Instead of pre-cutting the last pieces, it will be easier to measure at the end, just to be sure that you are covering the rest of the batting.

Now cut your accent fabric pieces. Here’s a diagram of what each piece is labeled.


Accent Fabric A:

  • Piece AA: 2.5” x 8.5”
  • Piece AB: 2.5” x 10.5”

Accent Fabric B:

  • Piece BA: 2.5” x 12.5”
  • Piece BB: 2.5” x 13.5”

Accent Fabric C:

  • Piece CA: 2.5” x 13”
  • Piece CB: 2.5” x 14.5”

Accent Fabric D:

  • Piece DA: 2.5” x 13”
  • Piece DB: 2.5” x 15”

Accent Fabric E:

  • Piece EA: 2.5” x 13”
  • Piece EB: 2.5” x 14”

Accent Fabric F:

  • Piece FA: 2.5” x 11”
  • Piece FB: 2.5” x 10”


Take your piece of batting and mark a line horizontally down the middle. We want the waves to go move horizontally through the middle of the block. Mark another line ½” away from the edge of the batting. Line up the 5” background square so that one corner is on the horizontal center line, and two corners are on the ½” line.


Quilt the background square onto the batting however you like! Since I am lazy, I did all straight line quilting with my piecing foot to make this block, but you could totally free motion quilt it if that’s your jam.

Take piece AA and line it up with the top edge of the background square. This step is exactly the same as if you were regular piecing, we’re just going to attach it to the batting at the same time. With right sides together, sew with a ¼” seam allowance.


Flip the piece and iron it open; quilt this piece down to the batting.


Take piece AB and line it up with the bottom edge of the background fabric, and the same edge of piece AA. With right sides together, sew together with a ¼” seam allowance.


Flip the piece and iron it open; quilt this piece down to the batting


Keep repeating these steps to add the rest of your accent fabric pieces in the order below. Feel free to mix up your quilting for each section. I did straight lines that were different distances apart, and a few that are curvy lines instead of straight. I also followed some of the pattern motifs in my fabrics. You just want to make sure that your fabric strips are covering the entire piece of batting when you sew and quilt them down.


Once all the colored fabrics have been attached, we need to attach the final background piece. Take your leftover background piece and cut it to fit the last corner. I didn’t give you a measurement for this, because the final size will depend on your seam allowances and quilting density. Position the background piece onto the corner. Make sure that your piece will cover the last of the batting once it’s been flipped and quilted. With right sides together, sew with a ¼” seam allowance. Flip the pieces and iron it open; quilt these pieces down to the batting.


Yay! Our quilt block is now all pieced and quilted! Wasn’t that easy?

Flip your block over and trim off the extra fabric, but don’t cut into the batting yet. This will make it easier to line up the top with the backing.


Sandwich your top and back and baste in the method of your choosing. The backing needs to be attached to the top in some way; I choose to stitch in the ditch between each color of fabric.

And now your Supersonic block is done! Next month we’re going to squeeze in two blocks. You can use the hashtags #SeaMQGBOM2018 and #ASaMQuilt to show off your work to everyone else. Please let me know if you have any questions! You can send me an email at seattlemodernquiltguild @ gmail . com or message me on instagram @itskimsinsta.

Contrails and Stringer Deflections – April

This month, we’re making two blocks! It sounds like a lot, but they’re light on piecing, so I think it will be manageable.

Does anyone else find the conspiracy theory about chemtrails hilarious? We’re talking about the white lines in the sky that form behind airplanes. They’re not chemtrails, they’re actually contrails. Contrails are clouds that are formed when water freezes around small particles from airplane exhaust. Please enjoy this entertaining article on chemtrails, as well as a few other aviation based conspiracy theories: http://www.telegraph.co.uk/travel/news/chemtrails-contrails-and-other-aviation-conspiracy-theories/

Now, onto our Chemtrails block! Here’s what you need.


(1) 16” x 16” (ish) piece of batting

(1) 16” x 16” (ish) backing fabric

(1) 16” x 16” background fabric for front

(2) 1.5” x 22” accent fabric strips


This block is super easy and improv-y. The method is slice, sew, slice, sew. Easy!

Take your background fabric and place your ruler so that it goes from the top left corner (ish) towards the bottom right corner (ish). Since it’s improv, you can cut however you want. Cut your background fabric into two pieces along the ruler.


Sew one of your accent fabric strips in between the two background pieces of fabric. Press the seams however you want; there’s no piecing police here.

Now cut this block in half again, maybe going from the top right ish corner towards the bottom left ish corner. But maybe you like to see parallel contrails? The options are limitless; cut your block however you please!


Sew the second accent fabric strip onto one half of the background. Press the seam.

Now you’re going to want to line up the second half of the block onto the accent strip, making sure that your first accent piece will still be in line. I drew some registration marks on the accent piece in line with the seams from the first half, and then lined up the second half seams to the lines.


Once you’ve got the second half lined up with the first half, sew and press. Give your whole block a nice blast of steam and congrats! The Contrails top is done!

Baste your block top to the batting and backing using your preferred basting method, and quilt.



Stringer Deflections

This block idea actually comes straight out of an analysis I did at my day job. A stringer is a longitudinal structural piece in a framework, especially that of a ship or aircraft (Dictionary.com). Since this is an airplane quilt, we’re going to talk about stringers in an airplane wing. On an airplane wing, there are stringers that run from the fuselage of the airplane down to the wing tip. These stringers give the wing skin stability, and allow the skin to be thin; otherwise you might end up with a wing skin that is inches thick, and that would weigh a lot! By themselves, stringers are long and thin, which makes them quite flexible. They don’t get their strength until the stringers and the skin are attached together.

I work in computer-aided metrology, which is the science of measurement. We use many different instruments to measure airplane parts, and let quality engineering know if the parts are within their designed engineering tolerances. Since stringers are long and skinny, they tend to be noodley and move all over the place. Some of the stringers in airplane wings can be up to 120 feet long, and only about 8 inches wide!

Here’s a short video on Boeing’s 737 Panel Assembly Line, which attaches stringers to wing skin. The video doesn’t specifically mention that they are attaching the stringers to the skin, but that’s what it’s doing. https://www.wired.com/2016/10/meet-giant-robot-builds-boeings-wings/

Our quilt block is loosely based on an analysis I did of a stringer after it had been trimmed. The piecing of the block will represent the stringer, and the quilting is (will be…) loosely based on the deflections I saw when analyzing the measurement data taken of the stringer.


(1) 16” x 16” (ish) piece of batting

(1) 16” x 16” (ish) backing fabric

(1) 15” x 15” background fabric for front (will be pieces A & B)

(2) 3” x 5” background fabric strips (pieces C & D)

(1) 3” x 15.5” accent fabric strip (piece E)


Cut the 15” background fabric square on the diagonal to make two triangles. These are pieces A and B. Arrange your pieces like the photo below.


Sew pieces C and D onto the accent fabric piece E. Press seams.

Sew piece A onto piece CDE. I folded each piece in half and finger pressed to create an indentation; this makes it easier to ensure that the accent fabric piece is centered in the block.


Sew B piece onto A-CDE. Use the same technique as the previous step to make sure the accent piece is centered in the block.

Yay! This block is now pieced! I told you this month had easy piecing tops. You can quilt this however you want, but if you want to show some deflection in your stringer, you can quilt it like I plan to below. It shows our stringer bending all over the place. This would definitely not pass inspection.


Hope these two blocks weren’t too stressful for you. Next month we’ll learn about industrial pressure cookers. You can use the hashtags #SeaMQGBOM2018 and #ASaMQuilt to show off your work to everyone else. Please let me know if you have any questions! You can send me an email at seattlemodernquiltguild @ gmail . com or message me on instagram @itskimsinsta.

Autoclave – May



This month’s block is brought to you by autoclaves! An autoclave is vessel that uses pressure and heat to treat the product inside it. In the airplane industry, we use composite to make airplane parts, and built-up composite needs to be cured before it gets its strength. The 777X airplane has the largest composite wings in the world, so Boeing needs the largest autoclave by volume in the world in order to cure the parts. The autoclave is so large it had to be built on site, and then moved over into the Composite Wing Center. The following article is about the move, and then I’ve also given you a link for a short video on the Boeing Composite Wing Center autoclaves.



If you find yourself in Everett and take a drive on Perimeter Road around the Boeing factory, you can see a second autoclave being built on site.

This block is inspired by what I see on a daily basis, large tools going in and out of the autoclave. Now onto sewing!


(1) 16” x 16” (ish) piece of batting

(1)16” x 16” (ish) backing fabric

From your background fabric, cut:

  • (piece A)  3.5” x 3.5″
  • (piece B)  8.5” x 6.75”
  • (piece C)  3.75” x 16”

From Accent Fabric A, cut:

  • (piece D) 12.75” x 9.75”

From Accent Fabric B, cut:

  • (piece E) 4.75” x 6.75”


Arrange the fabric pieces onto your table like the picture below. This will help keep track of the pieces.


Draw a line from corner to corner of the wrong side of the A piece. Line it up in the top right corner of the D piece, right sides together.


Sew along the line. Trim the excess corner part, leaving ¼” behind as seam allowance.


Flip the background piece, and press.


Sew pieces B and E together on the short edge of piece B. Then sew the A-D piece to B-E. Sew piece C along the top. Use the picture below to make sure you’re sewing the right pieces together.


Baste the backing, batting and completed top together, and quilt.

That’s all for this month. Next month we’re going to talk about tooling! You can use the hashtags #SeaMQGBOM2018 and #ASaMQuilt to show off your work to everyone else. Please let me know if you have any questions! You can send me an email at seattlemodernquiltguild @ gmail . com or message me on instagram @itskimsinsta.

Tooling – June


Before I was measuring stuff, I was a tool engineer, designing tooling to help make airplanes. The tools we use are big jigs to hold pieces while they’re fastened together, or mandrels to lay composite up on before it’s cured, or templates for drilling holes.

This block is inspired by some of the tooling that is used to make a blade stringer. In my block, the red is the stringer, and the yellow is the layup tool. I choose to use 2 different red fabrics and 2 different yellow fabrics, to help add some dimension.


(1) 16” x 16” (ish) piece of batting

(1) 16” x 16” (ish) backing fabric

From Color A1 (red in my block), cut one of each:

Piece G – 1.5” x 4.5”

Piece D – 1.5” x 9.5”

From Color A2 (red in my block), cut one:

Piece B – 7.75” x 9.5”

From Color B1 (yellow in my block), cut TWO:

Pieces A & C – 3.75” x 8.75”

From Color B2 (yellow in my block), cut TWO:

Pieces E & F – 7.75” x 7.75”

From background fabric, cut one:

Piece H – 1.5” x 3.75”

Arrange the pieces onto your table to help facilitate sewing.



Sew piece H onto the bottom of piece G, and press.

Sew piece E onto the left side of the GH block, and piece F onto the right side of GH. Press.

Sew piece D onto the bottom of piece B, and press.

Sew piece A onto the left side of the BD block, and piece C onto the right side of BD. Press.

Sew piece E-GH-F onto the bottom of A-BD-C. Press. Use a lot of steam. Steam is awesome.

I think it took me longer to cut out the pieces than to sew them together. You probably know the drill by now: sandwich the backing, batting and top together and baste. Quilt!

That’s half of our blocks done! Next month we’ll talk about a really fun airplane manufacturing process: wing to body join! Let me know if you have any questions, and use the hasthtags #SeaMQGBOM2018 and #ASaMQuilt to show off your progress.


Wing to Body Join and Laser Trackers – July

Okay everyone, this month is SUPER SPECIAL (to me) because it involves two of my favorite things about working at Boeing.

The first is Wing to Body Join. This is a process during the major assembly of an airplane, when the wings are fit and fastened to the fuselage of the airplane. It is seriously impressive to see the wings fly across the factory and slowly get joined to the fuselage. We actually just joined the first set of wings to the 777X airplane last week! Hooray! Here is a pretty sweet video on British Airway’s first 787-9, and it starts at the Wing to Body Join (but feel free to watch the whole awesome thing too) The three blue stands are a piece of automated tooling that helps to get the wing is just the right location for assembly.



  • 16” x 16” (ish) piece of batting
  • 16” x 16” (ish) backing fabric
  • From fuselage accent fabric, cut:
    • (1) 12.5″ x 3.5″ (piece E)
  • From wing accent fabric, cut:
    • (1) 5.5″ x 5.5″ square (pieces F)
  • From background fabric, cut:
    • (1) 5.5″ x 5.5″ square (pieces F)
    • (2) 1.5″ x 4.5″ (pieces C)
    • (2) 1.75″ x 4.5″ (pieces B)
    • (4) 6.25″ x 6.75″ (pieces A)
    • (2) 3.5″ x 2.25″ (pieces D)


First we’re going to make 2 half-square triangles for the wings using the 5.5″ x 5.5″ background piece F and the 5.5″ x 5.5″ wing accent fabric piece. Draw a line down the center of the background piece (on the wrong side) from one corner to the opposite.

center of square

Place this piece on top of the accent fabric piece, wrong sides together. Sew 1/4″ away from the line you drew on both sides. This is going to give us (2) half-square triangles using one square!

sew lines

Once you’ve sewn the two lines down the block, cut it in half along the drawn line. Press the seams open, and trim each block to 4.5″ x 4.5″. These are both now piece F.

Lay out your pieces like the following picture. This will make it easier to sew everything together.


Sew both pieces D to the skinny ends of piece E and press the seams (however you want, no seam police here).

Sew piece C and B onto the top and bottom of piece F. Make sure your accent piece is oriented the right way so it looks like wings on an airplane! Press the seams towards piece C and piece B.

Sew pieces A onto either side of piece CFB.

Sew pieces A-CFB-A onto DED.

Now you’ve got a wing to body join block! Quilt in a way that makes your heart sing. Thanks to Kathleen for quilting this block for me.

WBJ final block

Laser Trackers

Laser trackers are instruments that can measure large objects accurately by determining the position of optical targets held against the object (Wikipedia). I use this all the time to measure airplane parts. The instrument sends out a laser, and when the laser beam is reflected back at the instrument (using a mirrored surface), the instrument can calculate where the point is relative to the instrument. Once you’ve collected thousands of measured points, it can be compared to a nominal engineering model to determine the as-built condition of the object.

I work with laser trackers daily, and it is really exciting technology. This block is loosely based on laser trackers; the colored block represents the instrument, and the red dots in my quilting are points that the instrument has measured. I choose to quilt this block with heavy weight thread, so I could get it to look like it was actively taking measurements; I can’t wait to see how you choose to quilt this block. I also made another one with LEDs so it LIGHTS UP and gave it to a very special friend and it is one the best thing I’ve ever made. I’m going to be sewing with LEDs so often now!

This block is STUPID easy to piece, so spend some extra time quilting it; it’ll pay off in the end.

laser tracker final blcok


  • 16” x 16” (ish) piece of batting
  • 16” x 16” (ish) backing fabric
  • From accent fabric, cut:
    • 3.5” x 5.75” (C)
  • From background fabric, cut:
    • 6.75” x 5.75” (B & D)
    • 10.75” x 16” (A)


Arrange your pieces onto your table to help facilitate sewing like so:

laser tracker layout

Sew pieces B & D onto your accent fabric piece C on the 5.75” side. Press.

Sew piece A onto the top of BCD. Press.

Done. See?? Stupid easy? Now spend an hour quilting it like crazy! I made some French knots using red pearl cotton on the front and batting ONLY. The batting helped to hide all of the long connections between each knot (ain’t nobody got time to do each one individually). Then I basted the backing to the front/batting, and quilted lines connecting the French knots to the top center of the accent fabric piece.

Here’s a picture of my light-up laser tracker block, BECAUSE IT’S AWESOME.

light up laser tracker

Next month we’re going to do a block based on a fuselage! Let me know if you have any questions, and use the hasthtags #SeaMQGBOM2018 and #ASaMQuilt to show off your progress.

Also, I finally finished this quilt at the retreat in April, but I just realized I never posted a picture on the blog. So here is the finished quilt 🙂



Fuselages – August

This month we’re going to learn about fuselages, aka barrel sections, aka the area where you sit in the airplane! On the Boeing 787, the fuselage is made out of carbon fiber composite, and it is layed up in one circular section (instead of the traditional method of building it in halves). There are some really interesting machines that lay up the composite; please enjoy this short (and silent) video on fuselage layup.


Now, onto sewing!


  • 16” x 16” (ish) piece of batting
  • 16” x 16” (ish) backing fabric
  • 16” x 16” (ish) piece of background fabric
  • 12” x 12” (ish) piece of accent fabric
  • 4-5 sheets of freezer paper (optional, but makes it easier!)
  • Spray Starch
  • Small paint brush
  • Elmers Glue + a fine tip applicator (optional – you could also use pins or double-sided tape)


Arrange your freezer paper (shiny side DOWN, on your ironing board) so that it is overlapping and at least 11.25” square. Iron it all together so you have one piece of freezer paper that is (at least) 11.25” square. I like to have a double layer of freezer paper (so it makes it a little thicker).

*If you’ve never used freezer paper, make sure you iron on the DULL side. The shiny side will stick to fabric multiple times, and peel off really easily without leaving any residue. This makes it easy to use it for making templates. If you iron directly on the shiny side though, it will make your iron all sorts of messy.


Now you need to cut out the fuselage shape from the freezer paper. I tied a piece of string to a pen to draw my circles, but you could use a circle template, compass, or free-style it. You need to draw a 11.25” diameter circle, and a 1.5” diameter circle, concentrically (sharing the same center point). Once you’re happy with your circles, cut it out.

fuselage template

Iron the freezer paper fuselage template onto your accent fabric piece, shiny side down. It should stick nicely to the fabric. Cut away the excess fabric, leaving about a ¼” seam allowance on the inside and outside circles.

We’re going to turn this into a faux-applique shape, which we will then glue down onto our background fabric piece. If you would rather applique this shape down the traditional way, do it! We’re going to go for the lazy yet efficient method though.

Cut some notches or slices into the seam allowance excess. This will make it easier to turn the curves, especially in the center. Try to leave a few threads worth of fabric uncut near the template (so you don’t cut into the front of your piece).


Now get your spray starch and paintbrush. This next step is very important. Twiddle your fake French mustache and say “un deux trois huh huh huh” in your very best French accent. If you didn’t giggle, drink some more wine and try again.

Back to the spray starch. Spray some into the cap into the cap of the starch bottle, until you’ve got it about half full. Let the foam settle, and now the cap is filled with some liquid starch.


Take your paintbrush and slash it through the air. Make Bob Ross proud. Dip it into the cup of starch, and start painting it onto the seam allowance of the fuselage. Only do a few inches at a time, so it doesn’t dry before it’s been ironed. You don’t need a ton of the starch, but you want enough to make the seam stiff and hold the crease.


Now fold over the wet edge towards the freezer paper, and iron it. Let the iron sit on the edge until it’s dry, which will only take a few seconds.


Keep painting, folding and ironing until you’ve turned over both edges of the fuselage. Go slowly, and be careful; irons are hot and like to burn unsuspecting fingers when they are least expecting it.


Pull out the freezer paper. You’ll see that the edges stay turned, and there’s a lovely sharp crease that stays right where you ironed it.


Save your freezer paper template!! We’re going to use it next month (or some month, I don’t know when) so you won’t have to waste more paper.

Next, we need to iron the fuselage applique onto the background fabric. I used elmer’s school glue with a fine tip applicator to put tiny drops of glue onto the seam allowance, but you could use a glue stick, double stick tape or just pin it down when you sew it down. I like to use glue because then you can wave the piece around like a flag and it won’t fall off.

IMG_1710         IMG_1711

Put glue on about half of your fuselage, then press it firmly to the background fabric. Using a hot, dry (no steam) iron, set the glue by placing the iron on top of the glued bits for a few seconds, until the glue is dry. If you don’t like the placement, you can peel the fuselage off the background fabric, and try again. Any glue will wash away when you wash the quilt (assuming you’re using washable glue).


Glue down the other half, and any other bits that need to be glued down. Now you’re done piecing the top of this block! And we didn’t even need to use our sewing machine.

Baste the top to the batting and background fabric. The first bit of quilting I did for this block was on the fuselage, to not only quilt everything together, but also attach the fuselage to the background piece. Make sure you sew all the edges down during your quilting to firmly attach the fuselage to the block. Then keep on quilting!

fuselage block

Hope you had fun with this block, and maybe learned some new tricks to make applique easier. Let me know if you have any questions!